A Love Song, by William Carlos WIlliams

What have I to say to you
When we shall meet?
Yet—
I lie here thinking of you.

The stain of love
Is upon the world.
Yellow, yellow, yellow,
It eats into the leaves,
Smears with saffron
The horned branches that lean
Heavily
Against a smooth purple sky.

There is no light—
Only a honey-thick stain
That drips from leaf to leaf
And limb to limb
Spoiling the colours
Of the whole world.

I am alone.
The weight of love
Has buoyed me up
Till my head
Knocks against the sky.

See me!
My hair is dripping with nectar—
Starlings carry it
On their black wings.
See, at last
My arms and my hands
Are lying idle.

How can I tell
If I shall ever love you again
As I do now?

And because love battles, by Pablo Neruda

And because love battles
not only in its burning agricultures
but also in the mouth of men and women,
I will finish off by taking the path away
to those who between my chest and your fragrance
want to interpose their obscure plant.

About me, nothing worse
they will tell you, my love,
than what I told you.

I lived in the prairies
before I got to know you
and I did not wait love but I was
laying in wait for and I jumped on the rose.

What more can they tell you?
I am neither good nor bad but a man,
and they will then associate the danger
of my life, which you know
and which with your passion you shared.

And good, this danger
is danger of love, of complete love
for all life,
for all lives,
and if this love brings us
the death and the prisons,
I am sure that your big eyes,
as when I kiss them,
will then close with pride,
into double pride, love,
with your pride and my pride.

But to my ears they will come before
to wear down the tour
of the sweet and hard love which binds us,
and they will say: “The one
you love,
is not a woman for you,
Why do you love her? I think
you could find one more beautiful,
more serious, more deep,
more other, you understand me, look how she’s light,
and what a head she has,
and look at how she dresses,
and etcetera and etcetera”.

And I in these lines say:
Like this I want you, love,
love, Like this I love you,
as you dress
and how your hair lifts up
and how your mouth smiles,
light as the water
of the spring upon the pure stones,
Like this I love you, beloved.

To bread I do not ask to teach me
but only not to lack during every day of life.
I don’t know anything about light, from where
it comes nor where it goes,
I only want the light to light up,
I do not ask to the night
explanations,
I wait for it and it envelops me,
And so you, bread and light
And shadow are.

You came to my life
with what you were bringing,
made
of light and bread and shadow I expected you,
and Like this I need you,
Like this I love you,
and to those who want to hear tomorrow
that which I will not tell them, let them read it here,
and let them back off today because it is early
for these arguments.

Tomorrow we will only give them
a leaf of the tree of our love, a leaf
which will fall on the earth
like if it had been made by our lips
like a kiss which falls
from our invincible heights
to show the fire and the tenderness
of a true love.

This Neruda poem has been on my mind tonight. And Edna St. Vincent Millay’s What lips my lips have kissed and where and why I have forgotten…Listen to me read this depressing, beautiful sonnet.

Country lesson

Put the baby on your back
Wrap the sash around your waist and the baby’s
Balance the bundle in your free hand, wrap your fingers
around the knot. Bend your body forward on the dirt path
It will help you get up the hill. The mountains are just ahead,
you’ve just left the other mountains behind you. Walk.
Watch the silver mist rise from their triangle shapes
on the horizon. The peninsula will always hold you.

Creative Commons License
Country Lesson by Alison Roh Park is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at www.alisonrohpark.com

Affirmation

Affirmation

I lift my face to the sky, eyes closed, step forward.

Feels good. Blue sky on my cheeks, yellow sun against my eyelids.

The breeze against my skin, traveling through the fabric of my skirt.

The breeze moves through my hoops, behind my ears, through my hair, against my scalp. Feels good.

I walk, back straight. I like the weight of my breasts, the gentle pull of gravity.

No shame.

The strength of my step on the concrete from my feet to my hips.

I take up as much space as I want without moving aside for any man.

Feel the rushing wind of passing cars, the train’s rumble, the motion around me.

It feels so good to walk on my streets.

On this beautiful day, I am surrounded by my sisters. I am hand-in-hand with my mother.

And the men are with us too. There is no fear of violence.

We stand tall together. There is no smell of death, no need for caution.

We are laughing.

miss rosie by Lucille Clifton

R.I.P. Lucille Clifton. Women of color poets and all the people your work holds up will miss you.

miss rosie
by Lucille Clifton

when I watch you
wrapped up like garbage
sitting, surrounded by the smell
of too old potato peels
or
when I watch you
in your old man’s shoes
with the little toe cut out
sitting, waiting for your mind
like next week’s grocery
I say
when I watch you
you wet brown bag of a woman
who used to be the best looking gal in Georgia
used to be called the Georgia Rose
I stand up
through your destruction
I stand up